Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet's 'Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio' came out on March 29, 1999. The duration of Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio is about 3 minutes long, at 3:03. Based on our data, "Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zelenka: Trio Sonatas by Jan Dismas Zelenka, Heinz Holliger, Maurice Bourgue, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet. The song's track number on the album is #9 out of 23 tracks. In terms of popularity, Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio by Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psaume 51 Tilge, Höchster, Meine Sünden, BWV1083, Versus 17-18: Denn du willst kein Opfer haben | Johann Sebastian Bach, Karina Gauvin, Daniel Taylor, Les Violons du Roy, Bernard Labadie | B♭ Major | 1 | 6B | 117 BPM | ||
Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Gloria, ZWV 30: I. Gloria | Jan Dismas Zelenka, Lucía Caihuela, Kamila Mazalová, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | B Major | 1 | 1B | 112 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro, Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM |
Section: 0.7374541759490967
End: 0.7413761615753174