Jan Dismas Zelenka, Lucía Caihuela, Kamila Mazalová, Collegium 1704, Collegium Vocale 1704, Vaclav Luks made "Gloria, ZWV 30: I. Gloria" available on March 20, 2020. Gloria, ZWV 30: I. Gloria is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks's "Missa 1724" album is number 4 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Gloria, ZWV 30: I. Gloria is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gloria, ZWV 30: I. Gloria by Jan Dismas Zelenka, Lucía Caihuela, Kamila Mazalová, Collegium 1704, Collegium Vocale 1704, Vaclav Luks to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première Lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae | Joseph-Hector Fiocco, Ana Vieira Leite, Diana Vinagre, Ensemble Bonne Corde | E Major | 1 | 12B | 99 BPM | ||
6 Sonatas, ZWV 181, No. 1 in F Major: III. Larghetto | Jan Dismas Zelenka, Paul Dombrecht, Marcel Ponseele, Danny Bond, Richte Van Der Meer, Robert Kohnen | B Minor | 1 | 10A | 101 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Te Deum: II. Te gloriosus apostolorum chorus | Giovanni Bononcini, Owen Rees, Esther Lay, Helen Charlston | B Minor | 2 | 10A | 71 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | F♯ Minor | 1 | 11A | 112 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM |
Section: 0.670804500579834
End: 0.6747562885284424