Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen made "Flute Concerto No. 3 in C Major: III. Allegro assai" available on January 1, 1985. With this song being about 5 minutes long, at 4:33, "Flute Concerto No. 3 in C Major: III. Allegro assai" by Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 12 in Frederick Ii: Sinfonias / Flute Concertos by Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Flute Concerto No. 3 in C Major: III. Allegro assai's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Flute Concerto No. 3 in C Major: III. Allegro assai by Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito | Charles Avison, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 122 BPM | ||
Cello Sonata in G Major: I. Allegro non troppo | Giovanni Battista Sammartini, Andrea Noferini, Bruno Canino | G Major | 1 | 9B | 80 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
Concerto No 4 in D major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | D♭ Major | 3 | 3B | 132 BPM | ||
Sonata for 2 Violins in B Minor, Op. 12 No. 1: III. Allegro assai | Jean-Marie Leclair, Florian Deuter, Monica Waisman | B♭ Minor | 1 | 3A | 103 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Abdelazar Suite, Z. 570: III. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro | I Musici Di San Marco, Alberto Lizzio | F Major | 3 | 7B | 120 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM |
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