I Musici Di San Marco, Alberto Lizzio made "Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro" available on July 1, 1994. The duration of Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro is about 3 minutes long, at 3:15. Based on our data, "Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in I Musici Di San Marco, Alberto Lizzio's "Handel - Watermusic Suites" album is number 1 out of 19. Based on our statistics, Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Overture- Grave-Allegro by I Musici Di San Marco, Alberto Lizzio to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 128 BPM | ||
Telemann: Flute Concerto in D Major, TWV 51:D2: I. Moderato | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | D Major | 0 | 10B | 99 BPM | ||
Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Yehudi Menuhin, Bath Festival Orchestra | D Minor | 2 | 7A | 104 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Violin Concerto in A Minor, BWV 1041: I. [Allegro] | Nigel Kennedy, Berliner Philharmoniker | A Minor | 2 | 8A | 95 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 118 BPM | ||
Water Music Suite #1 in F, HWV 348 (Adagio E Staccato) | Friederich Handel, St. Petersburg Chamber Orchestra | D Minor | 1 | 7A | 96 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM |
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