"Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile)" by Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1991. Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner's "Hummel / Weber: Bassoon Concertos" album is number 6 out of 7. Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) by Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Viola Concerto No. 1 in D Major: I. Allegro | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | A Major | 1 | 11B | 128 BPM | ||
Der Fischer und das Milchmädchen: III. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Oboe Concerto in C Major, Hob.VIIg:C1: I. Allegro spirituoso | Franz Joseph Haydn, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 135 BPM | ||
Bassoon Concerto in A Minor, RV 497: I. Allegro molto | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | C Major | 0 | 8B | 98 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Symphony No. 7 in A Major, Op. 92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 92 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Bassoon Concerto in A minor, RV 497: 1. Allegro molto | Antonio Vivaldi, Klaus Thunemann, I Musici | A Minor | 2 | 8A | 80 BPM |
Section: 0.6746823787689209
End: 0.6786904335021973