"Sonata No.3 in B flat major: I. Adagio" by Jan Dismas Zelenka, Saschko Gawriloff, Heinz Holliger, Klaus Thunemann, Lucio Buccarella, Christiane Jaccottet was released on January 1, 2002. The duration of Sonata No.3 in B flat major: I. Adagio is about 3 minutes long, at 3:28. Based on our data, "Sonata No.3 in B flat major: I. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jan Dismas Zelenka, Alexander van Wijnkoop's "Jan Dismas Zelenka: The Orchestral Works" album is number 9 out of 63. Sonata No.3 in B flat major: I. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No.3 in B flat major: I. Adagio by Jan Dismas Zelenka, Saschko Gawriloff, Heinz Holliger, Klaus Thunemann, Lucio Buccarella, Christiane Jaccottet to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
11. Aria: So stehet ein Berg Gottes | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 125 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
La Pasión según San Mateo, BWV 244: No. 8, Blute nur | Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín | B Minor | 3 | 10A | 92 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
Missa Sancti Spiritus, ZWV 4: Sanctus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
St. Matthew Passion, BWV 244: No. 12. Aria: Blute nur, du liebes Herz! (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | F Major | 2 | 7B | 93 BPM |
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