"La Pasión según San Mateo, BWV 244: No. 8, Blute nur" by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín was released on March 22, 1981. With this song being about 5 minutes long, at 5:19, "La Pasión según San Mateo, BWV 244: No. 8, Blute nur" by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Bach: La Pasión según San Mateo, BWV 244 (Selección) by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín. In terms of popularity, La Pasión según San Mateo, BWV 244: No. 8, Blute nur is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Pasión según San Mateo, BWV 244: No. 8, Blute nur by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Bourree | I Musici Di San Marco, Alberto Lizzio | D Major | 3 | 10B | 114 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
A Fugal Concerto, Op. 40: III. Allegro | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Water Music: Presto | A Nanut | F Major | 0 | 7B | 127 BPM | ||
Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | D Major | 2 | 10B | 115 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
La Pasión según San Mateo, BWV 244: No. 64, Am Abend - No. 65, Mache dich, mein Herze, rein | Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín | E♭ Major | 3 | 5B | 65 BPM |
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