John Adams, Kronos Quartet's 'John's Book Of Alleged Dances: Pavane - She's So Fine' came out on October 20, 1998. Since John's Book Of Alleged Dances: Pavane - She's So Fine is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 25 Years, so we believe that "John's Book Of Alleged Dances: Pavane - She's So Fine" is a single. In terms of popularity, John's Book Of Alleged Dances: Pavane - She's So Fine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of John's Book Of Alleged Dances: Pavane - She's So Fine by John Adams, Kronos Quartet is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': III. Molto vivace | Antonín Dvořák, Škampa Quartet | F Major | 1 | 7B | 70 BPM | ||
A Little Midnight Music: VII. Blues in the Night | George Crumb, Emanuele Arciuli | F♯ Major | 0 | 2B | 68 BPM | ||
Summer 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
Must the Devil Have All the Good Tunes?: I. Gritty, Funky, But in strict Tempo; Twitchy, Bot-Like | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 4 | 6A | 147 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Nixon in China, Act I Scene 1: News Has a Kind of Mystery (Live) | John Adams, Robert Orth, Thomas Hammons, Chen-Ye Yuan, Opera Colorado Chorus, Colorado Symphony, Marin Alsop | A♭ Major | 3 | 4B | 145 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM |
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