Antonín Dvořák, Škampa Quartet's 'String Quartet No. 12 in F Major, Op. 96 'The American': III. Molto vivace' came out on June 30, 2017. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 8 in Dvořák: American String Quartet & Quintet, Op. 96-97 by Antonín Dvořák, Škampa Quartet, Krzysztof Chorzelski. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. String Quartet No. 12 in F Major, Op. 96 'The American': III. Molto vivace is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of String Quartet No. 12 in F Major, Op. 96 'The American': III. Molto vivace by Antonín Dvořák, Škampa Quartet is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | A Minor | 0 | 8A | 83 BPM | ||
Madama Butterfly, SC 74, Act II: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian | B♭ Major | 0 | 6B | 81 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Lacrymosa | Franz Liszt, Marylin Frascone | D Minor | 1 | 7A | 113 BPM | ||
It's Romance | Alexandre Desplat | B♭ Major | 7 | 6B | 88 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Partita for Violin Solo No. 1 in B Minor, BWV 1002: 4. Double. Presto | Johann Sebastian Bach, Hilary Hahn | B Minor | 5 | 10A | 144 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM |
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