Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer made "Le nymphe di Rheno, Op. 8: Suite in G Minor: V. Sarabanda: [Adagio]" available on January 1, 2000. The duration of Le nymphe di Rheno, Op. 8: Suite in G Minor: V. Sarabanda: [Adagio] is about 3 minutes long, at 3:04. Based on our data, "Le nymphe di Rheno, Op. 8: Suite in G Minor: V. Sarabanda: [Adagio]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Schenk: Works for Viola Da Gamba". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Le nymphe di Rheno, Op. 8: Suite in G Minor: V. Sarabanda: [Adagio] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le nymphe di Rheno, Op. 8: Suite in G Minor: V. Sarabanda: [Adagio] by Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Suite in D Minor, HWV 448: V. Chaconne | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Christ lag in Todes Banden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: Echo Dance of the Furies | Henry Purcell, Les Argonautes, Jonas Descotte | F♯ Major | 1 | 2B | 84 BPM | ||
M. Nicho. Gryffith his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Minor | 1 | 6A | 101 BPM | ||
Balletto N. 2 En Sol Mayor - I. Preludio (Giacomo Facco) | Grupo de musica barroca La Folia/Pedro Bonet | F♯ Major | 0 | 2B | 116 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: II. Allegro | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM |
Section: 0.7124862670898438
End: 0.718397855758667