"Die Fledermaus, Act I" by Hilde Gueden, Walter Berry, Peter Klein, Wiener Philharmoniker, Regina Resnik, Erich Kunz, Eberhard Wächter, Waldemar Kmentt, Erika Köth, Herbert von Karajan was released on September 13, 2011. With this song being about 5 minutes long, at 4:56, "Die Fledermaus, Act I" by Hilde Gueden, Walter Berry, Peter Klein, Wiener Philharmoniker, Regina Resnik, Erich Kunz, Eberhard Wächter, Waldemar Kmentt, Erika Köth, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 34 in Die Fledermaus by Various Artists. The popularity of Die Fledermaus, Act I is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Fledermaus, Act I by Hilde Gueden, Walter Berry, Peter Klein, Wiener Philharmoniker, Regina Resnik, Erich Kunz, Eberhard Wächter, Waldemar Kmentt, Erika Köth, Herbert von Karajan is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Carlo / Act 4: "Ella giammai m'amò!" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 87 BPM | ||
Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Viens! Viens! c'est l'honneur (L'Opinion Publique/Orphee) | Jacques Offenbach, Yann Beuron/Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski/Sharman Plesner, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 3 | 4B | 126 BPM | ||
Otello: Ave Maria, piena di grazia | Giuseppe Verdi, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Terra e mare, SC 73 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
6 Lieder, Op. 68: 4. Als mir dein Lied erklang | Richard Strauss, Hilde Gueden, Friedrich Gulda | D♭ Major | 2 | 3B | 91 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Lehár: Giuditta, Tableau 4: "Meine Lippen, sie küssen so heiss" (Giuditta) | Franz Lehár, Lucia Popp, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 79 BPM |
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