Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max)
Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth
Weber: Der Freischutz
2:17 1959
BPM
89
Key
E Minor
Camelot
9A

Embed

Share Link

Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) - Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth Information

Acousticness
99%
Danceability
30%
Energy
5%
Instrumentalness
0%
Liveness
8%
Loudness
65%
Speechiness
5%
Valence
4%
Popularity
Loudness
-21.134 dB

Summary

"Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max)" by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth was released on 1959. The duration of Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weber: Der Freischutz by Carl Maria von Weber, Joseph Keilberth. The song's track number on the album is #11 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) BPM

Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.

Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto by Joseph Haydn, Steven Isserlis, Sir Roger NorringtonCello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro moltoJoseph Haydn, Steven Isserlis, Sir Roger NorringtonB Minor410A119 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) by Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovPreghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovC Major18B104 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) by Robert Schumann, Martin James BartlettWidmung, Op. 25 No. 1 (Arr. Franz Liszt)Robert Schumann, Martin James BartlettA♭ Major04B74 BPM
8 Études, Op. 42: No. 5 in C-Sharp Minor by Alexander Scriabin, Evgeny Kissin8 Études, Op. 42: No. 5 in C-Sharp MinorAlexander Scriabin, Evgeny KissinD♭ Minor212A132 BPM
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio by Anton Arensky, The Rembrandt TrioPiano Trio No. 1 in D Minor, Op. 32: III. Elegie: AdagioAnton Arensky, The Rembrandt TrioG Minor06A90 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanG Major09B85 BPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
ISRC
DEA349606493
Label
L-M Records/RCA Records

Section: 0.7662878036499023

End: 0.770897626876831