"Terra e mare, SC 73 (Arr. for Voice & Orchestra by Johannes X. Schachtner)" by Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić was released on January 5, 2024. With Terra e mare, SC 73 (Arr. for Voice & Orchestra by Johannes X. Schachtner) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Puccini: Orchestral Songs & Works". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Terra e mare, SC 73 (Arr. for Voice & Orchestra by Johannes X. Schachtner) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Terra e mare, SC 73 (Arr. for Voice & Orchestra by Johannes X. Schachtner) by Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca, Act III: E lucevan le stelle | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Parma Teatro Regio Orchestra | B Minor | 1 | 10A | 79 BPM | ||
Mozart: Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E Major | 0 | 12B | 171 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | C Major | 3 | 8B | 80 BPM | ||
Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM |
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