"Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale" by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer was released on July 15, 2014. The duration of Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #8. Based on our statistics, Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Oboe and Strings in C Minor: III. Siciliana | Domenico Cimarosa, François Leleux | A Minor | 0 | 8A | 87 BPM | ||
Symphony in F minor, H.I No. 49 -"La passione": 1. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | F Minor | 0 | 4A | 84 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Symphony No. 3 in D, D.200: IV. Presto. Vivace | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | D Major | 3 | 10B | 98 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" | Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra | B♭ Minor | 0 | 3A | 60 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM |
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