Ottavio Dantone made "Capriccio In G Minor HV 467 (Handel)" available on 2004. With Capriccio In G Minor HV 467 (Handel) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ottavio Dantone's "Händel: Suites de Piéces pour le Clavecin Nos. 6-8 HV 431-433 & Pieces for Harpsichord" album is number 20 out of 23. In terms of popularity, Capriccio In G Minor HV 467 (Handel) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Capriccio In G Minor HV 467 (Handel) by Ottavio Dantone to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 78 in C Minor, Hob.I:78 - Edited H.C.Robbins Landon: 1. Vivace | Joseph Haydn, Accademia Bizantina, Ottavio Dantone | C Minor | 2 | 5A | 153 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Praeludium & Fuga (A 3 Voci) BWV 851: D Minor | Ottavio Dantone | D♭ Minor | 4 | 12A | 111 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 10. Contrapunctus 10 a 4, alla Decima | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | D♭ Minor | 0 | 12A | 107 BPM | ||
Organ Concerto No.3 in G minor, Op.4 No.3 HWV 291: 1. (Improvvisazione) Adagio | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | E♭ Major | 1 | 5B | 70 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Continuo in D Minor, RV. 540: III. Allegro | Antonio Vivaldi, Roy Goodman, Nigel North, The English Concert, Trevor Pinnock | D♭ Minor | 2 | 12A | 136 BPM |
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