Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema]
Richard Strauss, Friedrich Schloffer, Mariss Jansons, Bavarian Radio Symphony Orchestra
R. Strauss: Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts)
1:17 July 15, 2022
BPM
170
Key
D Major
Camelot
10B

Embed

Share Link

Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema] - Richard Strauss, Friedrich Schloffer, Mariss Jansons, Bavarian Radio Symphony Orchestra Information

Acousticness
26%
Danceability
62%
Energy
25%
Instrumentalness
0%
Liveness
21%
Loudness
66%
Speechiness
96%
Valence
58%
Popularity
Loudness
-20.401 dB

Summary

Richard Strauss, Friedrich Schloffer, Mariss Jansons, Bavarian Radio Symphony Orchestra made "Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema]" available on July 15, 2022. With Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema] being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "R. Strauss: Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema] is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema] BPM

With Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema] by Richard Strauss, Friedrich Schloffer, Mariss Jansons, Bavarian Radio Symphony Orchestra having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.

Ein Heldenleben, Op. 40, TrV 190 (Rehearsal Excerpts) [Das energische Hauptthema] Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto by Sergei Rachmaninoff, Boris Giltburg6 Moments musicaux, Op. 16: No. 5, Adagio sostenutoSergei Rachmaninoff, Boris GiltburgE Minor29A126 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
The Hebrides, Op. 26 (Fingal's Cave) by Felix Mendelssohn, Wiener Philharmoniker, Christoph von DohnányiThe Hebrides, Op. 26 (Fingal's Cave)Felix Mendelssohn, Wiener Philharmoniker, Christoph von DohnányiA Minor38A96 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. AllegroAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisA Major211B94 BPM
Suite pastorale: III. Sous-bois by Emmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerSuite pastorale: III. Sous-boisEmmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerG Major09B0 BPM
La pentola magica, P. 129: Preludio by Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoLa pentola magica, P. 129: PreludioOttorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoD Minor07A91 BPM
Pictures At An Exhibition: Cum mortuis in lingua mortua by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: Cum mortuis in lingua mortuaModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniB Major01B102 BPM
Pictures at an Exhibition: Ballet of the unhatched chicks by Mariss Jansons, Oslo Philharmonic OrchestraPictures at an Exhibition: Ballet of the unhatched chicksMariss Jansons, Oslo Philharmonic OrchestraD♭ Major13B176 BPM
Serenade for Strings in E, Op.22: 1. Moderato by Antonín Dvořák, Wiener Philharmoniker, Myung-Whun ChungSerenade for Strings in E, Op.22: 1. ModeratoAntonín Dvořák, Wiener Philharmoniker, Myung-Whun ChungE Major112B86 BPM
Symphony No. 5 in B-Flat Major, D. 485: 1. Allegro by Franz Schubert, Wiener Philharmoniker, Claudio AbbadoSymphony No. 5 in B-Flat Major, D. 485: 1. AllegroFranz Schubert, Wiener Philharmoniker, Claudio AbbadoG Major09B156 BPM
ISRC
DELW72281802
Label
L-M Records/RCA Records

Section: 0.6868948936462402

End: 0.6906552314758301