"Air on G (Arr. for Violin and Acoustic Guitar by Arthur Campbell)" by Anne Akiko Meyers, Jason Vieaux was released on May 6, 2022. With this song being about 5 minutes long, at 5:26, "Air on G (Arr. for Violin and Acoustic Guitar by Arthur Campbell)" by Anne Akiko Meyers, Jason Vieaux is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 14 in Anne Akiko Meyers – Shining Night by Anne Akiko Meyers, Jason Vieaux, Fabio Bidini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Air on G (Arr. for Violin and Acoustic Guitar by Arthur Campbell) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Air on G (Arr. for Violin and Acoustic Guitar by Arthur Campbell) by Anne Akiko Meyers, Jason Vieaux is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero | Max Bruch, Anne Akiko Meyers, Jesús López-Cobos, Aline Brewer | E♭ Major | 0 | 5B | 104 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Concerto for Lute and 2 Violins in D Major, RV 93: II. Largo | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Major | 1 | 3B | 138 BPM | ||
Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Stille Nacht | Alfred Schnittke, Anne Akiko Meyers | A♭ Major | 0 | 4B | 91 BPM | ||
3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) | Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 137 BPM |
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