"Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero" by Max Bruch, Anne Akiko Meyers, Jesús López-Cobos, Aline Brewer was released on 1992. Since Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anne Akiko Meyers's "Lalo: Symphonie Espagnole / Bruch: Scottish Fantasy" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scottish Fantasy for Violin, Orchestra and Harp in E-Flat Major, Op. 46: IV. Finale - Allegro guerriero by Max Bruch, Anne Akiko Meyers, Jesús López-Cobos, Aline Brewer to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
String Octet in B-Flat Major: I. Allegro moderato | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | G Major | 4 | 9B | 112 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM |
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