"Kheruvimskaya pyessn in F Major (Cherubic Hymn)" by Dmitry Bortniansky, Harmonia Sacra, Peter Leech was released on April 1, 2012. The duration of Kheruvimskaya pyessn in F Major (Cherubic Hymn) is about 3 minutes long, at 3:23. Based on our data, "Kheruvimskaya pyessn in F Major (Cherubic Hymn)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 14 in Cherubim & Seraphim: Russian Orthodox Choral Works by Harmonia Sacra, Peter Leech. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Kheruvimskaya pyessn in F Major (Cherubic Hymn)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kheruvimskaya pyessn in F Major (Cherubic Hymn) by Dmitry Bortniansky, Harmonia Sacra, Peter Leech is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 129 BPM | ||
Deo dicamus gratias, HoWV IV.2 | Gottfried August Homilius, Sirventes Berlin, Stefan Schuck | F♯ Major | 1 | 2B | 66 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM |
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