"O Jesu Christe" by Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal was released on 1977. The duration of O Jesu Christe is about 3 minutes long, at 3:13. Based on our data, "O Jesu Christe" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal's "Great Hours of Liturgy at Notre-Dame in Paris" album is number 7 out of 15. On top of that, France appears to be the country where this track was created. O Jesu Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Jesu Christe by Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Vexilla regis | Anton Bruckner, Vienna Chamber Choir, Michael Grohotolsky | D Minor | 3 | 7A | 134 BPM | ||
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
Mass for the Nativity of the Virgin: XII. Benedicamus "Domino à deux voix" | Léonin, Ensemble Organum, Marcel Pérès | D♭ Major | 2 | 3B | 70 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Ave sanctissima Maria: Ave Sanctissima Maria | Juan de Anchieta, Loreto Fernandez Imaz, Capilla Peñaflorida, Ministriles de Marsias, Josep Cabre | A Minor | 1 | 8A | 77 BPM | ||
Requiem for counter-tenor, choir & organ: II. Dies Irae - III. Tuba mirum | George Lloyd, Jeffrey Makinson, The Exon Singers, Matthew Owens | D♭ Major | 2 | 3B | 86 BPM | ||
Seraphic Whispers | LeoRoads | F♯ Minor | 1 | 11A | 80 BPM | ||
Pie Jesu | Matthew Coleridge, RSVP Voices, Guy Johnston, Emma Brain-Gabbott, Rob Johnston, Stephen Farr | D Minor | 0 | 7A | 81 BPM |
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