"Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria)" by Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, Andreas Scholl was released on 1999. Since Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 10 out of 68. In terms of popularity, Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) by Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Kreuz und Krone sind verbunden (Alto) | Johann Sebastian Bach, Yoshikazu Mera, Taka Kitazato, Bach Collegium Japan, Masaaki Suzuki | D♭ Minor | 0 | 12A | 84 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 41a. Evangelista, Judas "Des Morgens aber hielten alle Hohenpriester" - 41b. Chorus I & II "Was gehet uns an" - 41c. Evangelista, Pontifex I & II "Und er warf die Silberlinge in den Tempel" | Johann Sebastian Bach, Collegium Vocale Gent, Frits Vanhulle, Ian Bostridge, Dominik Wörner, Philippe Herreweghe | B♭ Minor | 1 | 3A | 112 BPM | ||
Paulus: I. Teil: Ouvertüre | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Major | 2 | 9B | 116 BPM | ||
Salve Regina | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | F♯ Major | 1 | 2B | 139 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
Il Trionfo del Tiempo e del Disinganno, HWV 46a: "Lascia la spina cogli la rosa" | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | E Major | 1 | 12B | 180 BPM | ||
La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 0 | 10B | 63 BPM | ||
Stabat Mater, RV 621: Stabat Mater, RV 621: Eja mater, fons amoris | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | B Minor | 2 | 10A | 79 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |
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