"Charade "Scenes from the '60s": II. LSD" by George Lloyd, BBC Philharmonic was released on March 1, 2024. Since Charade "Scenes from the '60s": II. LSD is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Lloyd, Albany Symphony Orchestra, BBC Philharmonic's "George Lloyd: The Symphonies Nos. 1-6" album is number 12 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Charade "Scenes from the '60s": II. LSD is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Charade "Scenes from the '60s": II. LSD by George Lloyd, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Symphony Fantastique Op.14: Marche Au Supplice (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | G Minor | 2 | 6A | 80 BPM | ||
スメタナ:連作交響詩 「わが祖国」 3 シャールカ | Czech Philharmonic Chamber Orchestra, Ken-Ichiro Kobayashi | A Major | 2 | 11B | 99 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM |
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