"Ein Lämmlein geht und trägt die Schuld, HoWV. I.2 / Pt. 1: No. 9, Aria: Nun sterb' ich, Sünder, nicht" by Gottfried August Homilius, Monika Mauch, Neue Düsseldorfer Hofmusik, Fritz Naf had its release date on January 1, 2007. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Gottfried August Homilius, Neue Düsseldorfer Hofmusik, Fritz Naf's "Gottfried August Homilius: Ein Lämmlein geht und trägt die Schuld" album is number 9 out of 31. On top of that, Germany appears to be the country where this track was created. Ein Lämmlein geht und trägt die Schuld, HoWV. I.2 / Pt. 1: No. 9, Aria: Nun sterb' ich, Sünder, nicht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein Lämmlein geht und trägt die Schuld, HoWV. I.2 / Pt. 1: No. 9, Aria: Nun sterb' ich, Sünder, nicht by Gottfried August Homilius, Monika Mauch, Neue Düsseldorfer Hofmusik, Fritz Naf to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: XIII. Credo. Et resurrexit | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Christus: VI. Choral "Er nimmt auf seinen Rücken" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Minor | 2 | 7A | 121 BPM | ||
Wünschet Jerusalem Glück | Gottfried August Homilius, Kammerchor Stuttgart, Frieder Bernius | F♯ Major | 1 | 2B | 66 BPM | ||
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Messe Solennelle, Op. 16 - Sanctus | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | E Major | 2 | 12B | 93 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Stabat Mater in G Minor: III. Quis est homo | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 86 BPM | ||
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM |