Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 40, Allegro" available on March 1, 2019. With Golovinmusiken, BeRI 1: No. 40, Allegro being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 40 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 40, Allegro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 40, Allegro by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, H. 651, Wq. 176: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Flute Sonata in E Minor, H. 551: II. Allegro | Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero | E♭ Minor | 1 | 2A | 120 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: I. Allegro moderato | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | E Major | 1 | 12B | 119 BPM | ||
Sammartini: Recorder Concerto in F Major: II. — | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 120 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: III. Largo | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Assaggio per violino solo in G Minor, BeRI 314: I. | Johan Helmich Roman, Fabio Biondi | G Minor | 1 | 6A | 171 BPM | ||
Flute Sonata No. 11 in G Minor: III. Larghetto | Johan Helmich Roman, Maria Bania, Thomas Pitt, Jane Gower, Lars Ulrik Mortensen | B Minor | 0 | 10A | 129 BPM | ||
Flute Sonata No. 10 in E Minor: III. Piva | Johan Helmich Roman, Maria Bania, Thomas Pitt, Jane Gower, Lars Ulrik Mortensen | F♯ Minor | 0 | 11A | 82 BPM |
Section: 0.5915460586547852
End: 0.5965991020202637