Jürg Wyttenbach, See Siang Wong made "… innig beflugelt: VII. —" available on February 24, 2015. The duration of … innig beflugelt: VII. — is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. … innig beflugelt: VII. —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Swiss Piano Project". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, … innig beflugelt: VII. —'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With … innig beflugelt: VII. — by Jürg Wyttenbach, See Siang Wong having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Ist Klang der Sinn?: V. Nicht bei Trost | Jürg Wyttenbach, Alexandre Foster, Heinz Holliger | C Major | 0 | 8B | 78 BPM | ||
8 Duettini: No. 3, Still die Herbstnacht | Jürg Wyttenbach, Katrin Frauchiger, Katharina Weber | A Minor | 1 | 8A | 131 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
On an Overgrown Path, Series I: I. Our evenings | Leoš Janáček, Dirk Luijmes | G Major | 0 | 9B | 114 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
The Firebird: Berceuse (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Jascha Heifetz, Emmanuel Bay | A♭ Minor | 2 | 1A | 138 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM |
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