"The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell" by Igor Stravinsky, Philharmonia Orchestra, Robert Craft was released on March 1, 2005. With this song being about 5 minutes long, at 4:38, "The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell" by Igor Stravinsky, Philharmonia Orchestra, Robert Craft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 39 in the song's album "Stravinsky: The Firebird & Petrushka (1947 Version)". In this album, this song's track order is #18. Based on our statistics, The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell by Igor Stravinsky, Philharmonia Orchestra, Robert Craft having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A♭ Major | 1 | 4B | 75 BPM | ||
Symphony No.2 in B minor: 4. Finale (Allegro) | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D Major | 2 | 10B | 149 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai | Ludwig van Beethoven, Otto Klemperer, Philharmonia Orchestra | D Major | 1 | 10B | 74 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Hänsel und Gretel: Prelude "The Witch's Ride" | Engelbert Humperdinck, Gürzenich Orchester Köln, Sir John Pritchard | F Major | 2 | 7B | 85 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM |
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