"Third Sigh" by Antón García Abril, Hilary Hahn, Cory Smythe was released on January 1, 2013. The duration of Third Sigh is about 3 minutes long, at 3:22. Based on our data, "Third Sigh" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hilary Hahn, Cory Smythe's "In 27 Pieces: the Hilary Hahn Encores" album is number 7 out of 27. On top of that, Germany appears to be the country where this track was created. Third Sigh is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Third Sigh by Antón García Abril, Hilary Hahn, Cory Smythe to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent | Erik Satie, Sean Shibe | D Minor | 0 | 7A | 133 BPM | ||
Suite compostelana: II. Coral | Federico Mompou, Krzysztof Meisinger | F♯ Minor | 0 | 11A | 75 BPM | ||
La Leyenda del Beso: Intermezzo | Reveriano Soutullo, Juan Vert, Bratislava Symphony Orchestra, David Hernando Rico | D Major | 1 | 10B | 115 BPM | ||
Moonbeams | Leo Livens, Duncan Honeybourne | A Minor | 0 | 8A | 64 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph Koncz | E Major | 0 | 12B | 69 BPM | ||
Texas Addio - Mariachi | Antón García Abril | A Major | 6 | 11B | 64 BPM |
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