"O Tannenbaum (Arr. J. Rutter for Choir)" by John Rutter, The Cambridge Singers was released on November 6, 2020. With O Tannenbaum (Arr. J. Rutter for Choir) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 22 in Christmas Night: Carols of the Nativity (Remastered 2020) by John Rutter, The Cambridge Singers, City of London Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, O Tannenbaum (Arr. J. Rutter for Choir)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Tannenbaum (Arr. J. Rutter for Choir) by John Rutter, The Cambridge Singers is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wexford Carol | Traditional, Stephen Varcoe, The Cambridge Singers, John Rutter | B Major | 1 | 1B | 95 BPM | ||
Good King Wenceslas | Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens | A♭ Major | 1 | 4B | 77 BPM | ||
O, Do Not Move | John Tavener, Choir of The Queen's College, Oxford, Owen Rees | B♭ Minor | 0 | 3A | 75 BPM | ||
Ord: Adam Lay Ybounden | Boris Ord, Choir of King's College, Cambridge, Philip Ledger | D Major | 2 | 10B | 80 BPM | ||
Deck The Halls With Boughs Of Holly | Anonymous, John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 103 BPM | ||
Halcyon Days | Melissa Dunphy, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | B♭ Minor | 0 | 3A | 87 BPM | ||
Magnificat in E-Flat Major, BWV 243a: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Rostock Motet Choir, Leipzig Capella Fidicinia, Hartwig Eschenburg | D♭ Major | 1 | 3B | 142 BPM | ||
A Spotless Rose | Herbert Howells, The King's Singers | G Major | 0 | 9B | 175 BPM | ||
I Vow to Thee My Country | The Oxford Trinity Choir | C Major | 3 | 8B | 170 BPM | ||
Liber Secundus Sacrarum Cantionum (Cantiones Sacrae II): Haec dies | William Byrd, The Cambridge Singers, John Rutter | A♭ Major | 1 | 4B | 66 BPM |
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