William Byrd, The Cambridge Singers, John Rutter's 'Liber Secundus Sacrarum Cantionum (Cantiones Sacrae II): Haec dies' came out on September 1, 1988. The duration of Liber Secundus Sacrarum Cantionum (Cantiones Sacrae II): Haec dies is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Liber Secundus Sacrarum Cantionum (Cantiones Sacrae II): Haec dies's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 23 in Faire Is The Heaven - Music Of The English Church by The Cambridge Singers, John Rutter. Liber Secundus Sacrarum Cantionum (Cantiones Sacrae II): Haec dies is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liber Secundus Sacrarum Cantionum (Cantiones Sacrae II): Haec dies by William Byrd, The Cambridge Singers, John Rutter is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass A 5: Credo | Oxford Camerata, William Byrd | C Minor | 1 | 5A | 92 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Buccinate in neomenia tuba | Giovanni Gabrieli, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Mirabile mysterium | Jacobus Gallus, Owain Park, The Gesualdo Six | E Major | 1 | 12B | 125 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM |
Section: 0.6714847087860107
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