"Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas" by William Byrd, The Gesualdo Six, Owain Park was released on June 2, 2023. Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The song is number 7 out of 29 in Byrd: Mass for Five Voices; Ave verum corpus; Lamentations & Other Works by William Byrd, The Gesualdo Six, Owain Park. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas by William Byrd, The Gesualdo Six, Owain Park is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 2 | 7B | 138 BPM | ||
Byrd: Sing Joyfully Unto God | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 111 BPM | ||
Conductus Deus misertus hominis | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová | A Minor | 0 | 8A | 81 BPM | ||
Sacrae cantiones: Justorum animae | Orlande de Lassus, Voices of Ascension Chorus, Dennis Keene | E♭ Major | 1 | 5B | 93 BPM |
Section: 0.6001224517822266
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