- BPM
- 77
- Key
- A♭ Major
- Camelot
- 4B
Good King Wenceslas - Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens Information
- Acousticness
- 67%
- Danceability
- 17%
- Energy
- 13%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 54%
- Loudness
- -20.008 dB
Summary
"Good King Wenceslas" by Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens was released on October 22, 2021. The duration of Good King Wenceslas is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Good King Wenceslas's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Good King Wenceslas and no other songs are present in the album, we classify this track as a single. Good King Wenceslas is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Good King Wenceslas BPM
We consider the tempo marking of Good King Wenceslas by Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Good King Wenceslas Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Sleeping Child | Bob Chilcott, VOCES8 | A♭ Major | 0 | 4B | 142 BPM | |
 | Little Drummer Boy | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | A Major | 1 | 11B | 101 BPM | |
 | 3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child | Kenneth Leighton, Stephen Layton, Polyphony | B Minor | 0 | 10A | 72 BPM | |
 | O Tannenbaum | Anonymous, Vienna Boys' Choir, Uwe Christian Harrer | A Major | 0 | 11B | 85 BPM | |
 | O come, all ye faithful (Desc. David Willcocks) | Adeste Fideles, Choir of King's College, Cambridge, Henry Websdale, Stephen Cleobury | G Major | 3 | 9B | 82 BPM | |
 | There is No Rose | Simon Preston, Choir of St. John's College, Cambridge, Andrew Nethsingha, George Herbert | D Major | 0 | 10B | 114 BPM | |
 | Wassail Song | Traditional, Katy Hill, Alexandra Kidgell, Ben Davies, Tim Jones, Harry Christophers | F♯ Minor | 2 | 11A | 106 BPM | |
 | Unto Us a Boy Is Born | St. Paul's Cathedral Choir | D Major | 3 | 10B | 120 BPM | |
 | O Come, O Come Emmanuel | The Oxford Trinity Choir | C Major | 3 | 8B | 82 BPM | |
 | Sussex Carol (On Christmas Night) | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6501381397247314
End: 0.6553981304168701