"3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child" by Kenneth Leighton, Stephen Layton, Polyphony was released on October 1, 1996. The duration of 3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child is about 3 minutes long, at 3:16. Based on our data, "3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "O magnum misterium: 20th Century Christmas Carols". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United Kingdom. 3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Carols, Op. 25: No. 2, Lully, Lulla, Thou Little Tiny Child by Kenneth Leighton, Stephen Layton, Polyphony having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ Our Passover | University of King's College Chapel Choir, Paul Halley | C Minor | 2 | 5A | 105 BPM | ||
Missa Popularis: V. Agnus Dei | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 139 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Lorca Suite, Op.72: I. Canción de jinete (The Rider) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM | ||
Svjatki: I. Glory! | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 3 | 6B | 83 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Preces and Responses II | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Matthew Owens | A Minor | 1 | 8A | 87 BPM | ||
Till Death Us Do Part (SATB div & Piano) | Kim André Arnesen, RSVP Voices, Rob Johnston | D Minor | 0 | 7A | 92 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM |
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