Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail)
Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus
Canteloube: Chants D'Auvergne
1:46 November 1, 2004
BPM
95
Key
A Major
Camelot
11B

Embed

Share Link

Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail) - Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus Information

Acousticness
90%
Danceability
53%
Energy
14%
Instrumentalness
0%
Liveness
11%
Loudness
69%
Speechiness
6%
Valence
50%
Popularity
Loudness
-18.578 dB

Summary

Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus made "Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail)" available on November 1, 2004. With Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. In terms of popularity, Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail) BPM

The tempo marking of Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Chants d'Auvergne, Vol. 1: No. 5b. Lo Calhe (The Snail) Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Beautés Du Diable by François Dompierre, Angèle DubeauLes Beautés Du DiableFrançois Dompierre, Angèle DubeauE Minor19A132 BPM
Quanta Qualia by Patrick Hawes, Voces8, Christian ForshawQuanta QualiaPatrick Hawes, Voces8, Christian ForshawE♭ Major15B70 BPM
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn"George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew ManzeA Major111B84 BPM
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) by Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio FranceGounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus)Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio FranceB♭ Major06B68 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
Fantasia on British Sea Songs (excerpts): II. Tom Bowling by Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul DanielFantasia on British Sea Songs (excerpts): II. Tom BowlingSir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul DanielC Major08B93 BPM
Song to the moon by Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic OrchestraSong to the moonAntonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic OrchestraB♭ Major26B79 BPM
Vier letzte Lieder, TrV 296: 2. September by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt MasurVier letzte Lieder, TrV 296: 2. SeptemberRichard Strauss, Jessye Norman, Gewandhausorchester, Kurt MasurD Major110B153 BPM
Verdi: Otello, Act 4: Verdi: Otello, Act 4: "Ave Maria" (Desdemona)Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio OrchestraA♭ Major04B181 BPM
Nocturne in B Major, Op. 40, B. 47 by Antonín Dvořák, Baltimore Symphony Orchestra, Marin AlsopNocturne in B Major, Op. 40, B. 47Antonín Dvořák, Baltimore Symphony Orchestra, Marin AlsopB♭ Major16B83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6896934509277344

End: 0.6931033134460449