"Paquita, Act II, Scene II, 8.4: "Girl’s Harp Variation from the Ballet La Camargo"" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes had its release date on August 11, 2017. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Paquita, Act II, Scene II, 8.4: "Girl’s Harp Variation from the Ballet La Camargo"'s duration is considered a little bit shorter than the average duration of a typical track. Since Paquita, Act II, Scene II, 8.4: "Girl’s Harp Variation from the Ballet La Camargo" only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. In terms of popularity, Paquita, Act II, Scene II, 8.4: "Girl’s Harp Variation from the Ballet La Camargo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Paquita, Act II, Scene II, 8.4: "Girl’s Harp Variation from the Ballet La Camargo" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Panorama | New Philharmonia Orchestra London, Lawrence Siegel | G Major | 0 | 9B | 98 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 84 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | ||
Le Corsaire: Act I - "14. Pas d’Esclave: Lan’khadam, Gulnare" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | B♭ Major | 0 | 6B | 167 BPM | ||
The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 72 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM |