Charles Villiers Stanford, Peter Jacobs's 'Twenty-Four Preludes Set I, Op. 163: XXI. Prelude No. 21' came out on December 13, 2019. The duration of Twenty-Four Preludes Set I, Op. 163: XXI. Prelude No. 21 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Twenty-Four Preludes Set I, Op. 163: XXI. Prelude No. 21's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 90 in British Piano Collection Vol. I by Peter Jacobs. In terms of popularity, Twenty-Four Preludes Set I, Op. 163: XXI. Prelude No. 21 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Twenty-Four Preludes Set I, Op. 163: XXI. Prelude No. 21 by Charles Villiers Stanford, Peter Jacobs is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Dona Nobis Pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | A♭ Major | 1 | 4B | 80 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Nachtlied | Max Reger, Stephan Lutermann, Vokalconsort Osnabrück | B Minor | 0 | 10A | 130 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Requiem, Op. 63: IVf. Rex tremendae maiestatis – | Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 2 | 9A | 88 BPM |
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