Bach, JS: Mass in B Minor, BWV 232: Et expecto - Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien Information

Acousticness: 94%
Danceability: 22%
Energy: 12%
Instrumentalness: 9%
Liveness: 8%
Loudness: 66%
Speechiness: 5%
Valence: 34%
Popularity: 0%
Loudness: -20.194 dB

Summary

Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien's 'Bach, JS: Mass in B Minor, BWV 232: Et expecto' had a release date set for January 1, 1968. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Bach, JS: Mass in B Minor, BWV 232: Et expecto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 26 in Bach: Mass in B Minor, BWV 232 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Mass in B Minor, BWV 232: Et expecto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Mass in B Minor, BWV 232: Et expecto BPM

The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Et expecto by Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Mass in B Minor, BWV 232: Et expecto Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	D Major	1	10B	119 BPM
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Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell	Robert Schumann, Piotr Anderszewski	C Major	0	8B	173 BPM
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 2. Adagio	Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra	E♭ Minor	2	2A	77 BPM
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Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM

ISRC: DEA800115164
Label: L-M Records/RCA Records