"Lord of the Dance" by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble had its release date on September 1, 1991. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lord of the Dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lord of the Dance by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angele Dei | Ennio Morricone, Coro Polifonico Lumina Vocis, Giovanni Monti | E Minor | 3 | 9A | 138 BPM | ||
Early One Morning | Traditional, Sir Peter Pears, Benjamin Britten | F♯ Major | 0 | 2B | 113 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Attende, Domine (Preces) | Capella Gregoriana Easo | D Major | 1 | 10B | 71 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
Responsorium "Subvenite" | Traditional, Cistercian Monks of Stift Heiligenkreuz | G Major | 0 | 9B | 107 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Set Me as a Seal | The Singers - Minnesota Choral Artists | D Major | 1 | 10B | 101 BPM |