"Puccini : La bohème : Act 3 "Che! Vai?" [Mimì, Rodolfo]" by Giacomo Puccini, Barbara Hendricks, James Conlon, Orchestre National De France was released on February 1, 1988. The duration of Puccini : La bohème : Act 3 "Che! Vai?" [Mimì, Rodolfo] is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Puccini : La bohème : Act 3 "Che! Vai?" [Mimì, Rodolfo]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Puccini : La bohème [Highlights] (Apex)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. In terms of popularity, Puccini : La bohème : Act 3 "Che! Vai?" [Mimì, Rodolfo] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini : La bohème : Act 3 "Che! Vai?" [Mimì, Rodolfo] by Giacomo Puccini, Barbara Hendricks, James Conlon, Orchestre National De France having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Madama Butterfly, Act II: Un bel dì vedremo | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Mattinata | José Carreras | E Major | 3 | 12B | 117 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM |
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