"Symphony No. 6, "Gettysburg": III. Dedication" by Roy Harris, Bournemouth Symphony Orchestra, Marin Alsop was released on January 26, 2010. Since Symphony No. 6, "Gettysburg": III. Dedication is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Roy Harris, Marin Alsop's "Harris, R.: Symphonies Nos. 5 and 6" album is number 3 out of 8. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 6, "Gettysburg": III. Dedication is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 6, "Gettysburg": III. Dedication by Roy Harris, Bournemouth Symphony Orchestra, Marin Alsop to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Symphony No. 4: II. Largo | Howard Hanson, Roy Harris, Eastman-Rochester Symphony Orchestra | C Major | 0 | 8B | 99 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
4 Dance Episodes from Rodeo: No. 2, Corral Nocturne | Aaron Copland, Louis Lane, Atlanta Symphony Orchestra | D♭ Minor | 1 | 12A | 164 BPM | ||
Gymnopédie No. 3 | Erik Satie, Louis Lane, The Cleveland Orchestra | A Minor | 0 | 8A | 75 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Concerto for Violin and Orchestra: III. Third Movement | Roy Harris, Tamsin Waley-Cohen, Andrew Litton, BBC Symphony Orchestra | D Major | 0 | 10B | 99 BPM | ||
Gurre-Lieder / Part 1: 1. Orchestral Prelude | Arnold Schoenberg, Boston Symphony Orchestra, Seiji Ozawa | E Major | 3 | 12B | 89 BPM |
Section: 0.7316024303436279
End: 0.7385838031768799