"4 Dance Episodes from Rodeo: No. 2, Corral Nocturne" by Aaron Copland, Louis Lane, Atlanta Symphony Orchestra was released on September 1, 1983. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 6 in Copland: Appalachian Spring, Rodeo & Fanfare for the Common Man by Aaron Copland, Louis Lane, Atlanta Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of 4 Dance Episodes from Rodeo: No. 2, Corral Nocturne is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Dance Episodes from Rodeo: No. 2, Corral Nocturne by Aaron Copland, Louis Lane, Atlanta Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in E Major, Op. 59: III. Scherzo. Vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk, Piers Lane | A Minor | 1 | 8A | 75 BPM | ||
Slow Strings | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D♭ Minor | 0 | 12A | 93 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Grandes études de Paganini, S. 141: IV. Vivo in E Major "Arpeggio" (After Caprice No. 1) | Franz Liszt, Marc-André Hamelin | E Major | 1 | 12B | 92 BPM | ||
Symphony No. 4 in F Minor: IV. Finale con epilogo fugato: Allegro molto | Ralph Vaughan Williams, Atlanta Symphony Orchestra, Robert Spano | B♭ Major | 2 | 6B | 84 BPM | ||
Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 91 BPM | ||
Tippett: Concerto for Double String Orchestra: III. Allegro molto | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato | Jean Sibelius, Atlanta Symphony Orchestra, Robert Spano | G Major | 1 | 9B | 133 BPM |
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