Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 96:1 "Zingt, zingt een nieuw gezang den HEERE"' came out on 2016. With Psalm 96:1 "Zingt, zingt een nieuw gezang den HEERE" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Netherlands. Psalm 96:1 "Zingt, zingt een nieuw gezang den HEERE" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 96:1 "Zingt, zingt een nieuw gezang den HEERE" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Wie schön leuchtet der Morgenstern: III. Uns ist ein Kind geboren | Johann Kuhnau, Opella Musica, Camerata Lipsiensis, Gregor Meyer | E Major | 1 | 12B | 115 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 37, Willst du dein Herz mir schenken (Aria di Giovannini), BWV 518 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM | ||
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
In dulci Jubilo, BuxWV 197 | Dietrich Buxtehude, Bine Katrine Bryndorf | G Major | 0 | 9B | 116 BPM | ||
Capriccio in G Minor, FbWV 505, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Clarifica me Pater I | William Byrd, Nicolas Haigh, Jeremy Filsell | E♭ Major | 2 | 5B | 85 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 84 BPM |
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