Johann Sebastian Bach, Aurèle Nicolet, Otto Büchner, Fritz Kiskalt, Karl Richter made "Musical Offering, BWV 1079: Canone perpetuo" available on January 1, 1969. With Musical Offering, BWV 1079: Canone perpetuo being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 17 in Bach: Musical Offering, BWV 1079 by Johann Sebastian Bach, Otto Büchner, Kurt Guntner, Fritz Kiskalt, Siegfried Meinecke, Hedwig Bilgram, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Musical Offering, BWV 1079: Canone perpetuo's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Musical Offering, BWV 1079: Canone perpetuo by Johann Sebastian Bach, Aurèle Nicolet, Otto Büchner, Fritz Kiskalt, Karl Richter is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Trio a Violini e Basso: Sonata No. 4 in D Minor, TWV 42:d2: II. Largo, ma non troppo | Georg Philipp Telemann, Danubius Ensemble | F Major | 1 | 7B | 95 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Ouverture in E Minor, TWV 55:e1: VI. Air. Un peu vivement | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 168 BPM | ||
Flute Sonata in E Minor, Op. 1 No. 1b, HWV 359b: II. Allegro | George Frideric Handel, Dorothea Seel, Luca Guglielmi | E♭ Minor | 2 | 2A | 102 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 1 | 8A | 76 BPM | ||
Sonata In G Minor: Alla breve - Fuga da capella | Karl Kraber, Peter Kairoff, Philip Gottling | G Minor | 3 | 6A | 105 BPM | ||
March in D Major, BWV Anh.122 | Carl Philipp Emanuel Bach, Luc Beauséjour | D♭ Major | 2 | 3B | 97 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
Flute Concerto in D major: 1. Allegro | Jacques Loeillet, Jean-Pierre Rampal, Orchestre Antiqua Musica, Jacques Roussel | D Major | 1 | 10B | 138 BPM |
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