"Luna: 1. Te Quiero Morena" by José María Cano, Plácido Domingo, London Symphony Orchestra was released on December 21, 2018. With this song being about 5 minutes long, at 4:45, "Luna: 1. Te Quiero Morena" by José María Cano, Plácido Domingo, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in José María Cano, Teresa Berganza, Plácido Domingo, Ainhoa Arteta, Renée Fleming, London Symphony Orchestra's "Luna (Canciones, Romanzas Y Danzas)" album is number 1 out of 9. Luna: 1. Te Quiero Morena is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luna: 1. Te Quiero Morena by José María Cano, Plácido Domingo, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Phantom of the Opera: All I Ask of You | Nancy Gustafson, Orchestra del Teatro Comunale di Bologna, Leone Magiera | E♭ Major | 4 | 5B | 175 BPM | ||
Giulietta: "Giulietta son io" | Mario del Monaco | A Minor | 3 | 8A | 86 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Il barbiere di Siviglia / Act I: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) | Gioachino Rossini, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | C Major | 2 | 8B | 135 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 87 BPM | ||
Torna a Surriento - Live | Ernesto de Curtis, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Minor | 3 | 2A | 84 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
"Amapola" | Joseph Maria Lacalle, Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | D♭ Major | 4 | 3B | 129 BPM | ||
En Aranjuez Con Tu Amor | Plácido Domingo | E Minor | 4 | 9A | 87 BPM |
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