Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Iris Vermillion, Francesco Ellero D'Artegna, Edita Gruberova, Francisco Araiza, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè made "Maria Stuarda / Act 2: "Va, preparati, furente"" available on January 1, 1990. The duration of Maria Stuarda / Act 2: "Va, preparati, furente" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Maria Stuarda / Act 2: "Va, preparati, furente"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 30 in Donizetti: Maria Stuarda by Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Francisco Araiza, Francesco Ellero D'Artegna, Edita Gruberova, Iris Vermillion, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Maria Stuarda / Act 2: "Va, preparati, furente" is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Maria Stuarda / Act 2: "Va, preparati, furente" by Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Iris Vermillion, Francesco Ellero D'Artegna, Edita Gruberova, Francisco Araiza, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
"La tarántula e un bicho" | Jerónimo Giménez, Anna Netrebko | C Major | 4 | 8B | 108 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Roméo et Juliette: Je veux vivre dans le rêve | Charles Gounod, Anna Moffo, Peter Maag | F Major | 1 | 7B | 74 BPM | ||
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | ||
Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Turandot / Act III: "Nessun dorma" | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 2 | 10B | 85 BPM |
Section: 0.932241678237915
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