"Spem in alium (The Forty-Part Motet)" by Thomas Tallis, Suzi Digby, Ora Singers was released on August 7, 2020. Since Spem in alium (The Forty-Part Motet) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Tallis:Spem in alium (The Forty-Part Motet) only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Spem in alium (The Forty-Part Motet)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spem in alium (The Forty-Part Motet) by Thomas Tallis, Suzi Digby, Ora Singers having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Spem in alium - Vocal | Thomas Tallis, Paul Van Nevel | C Major | 2 | 8B | 133 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
The Bells of Dawn (Zoryu b’yut) | Georgy Sviridov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | F♯ Minor | 1 | 11A | 61 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Tallis: Salve intemerata - 2. Annae mulieris sanctissimae | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 95 BPM | ||
Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 60 BPM | ||
Pie Jesu (Requiem) | La Capella Reial De Catalunya, Hespèrion XX, Jordi Savall | B♭ Major | 0 | 6B | 70 BPM |
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