"Ferrabosco the Elder: Lamentations of Jeremiah 1 - 2. Daleth" by Alfonso Ferrabosco I, Peter Phillips, The Tallis Scholars was released on August 28, 2015. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 59 in the song's album "Perfect Polyphony". In this album, this song's track order is #39. Ferrabosco the Elder: Lamentations of Jeremiah 1 - 2. Daleth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ferrabosco the Elder: Lamentations of Jeremiah 1 - 2. Daleth by Alfonso Ferrabosco I, Peter Phillips, The Tallis Scholars having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Aurora Corrente. Capricci a Due Stromenti | Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Royal Consort in D Minor for 2 theorbos: V. Corant II | William Lawes, Jacob Heringman, David Miller, The Rose Consort Of Viols | D♭ Major | 2 | 3B | 55 BPM | ||
Fantasia nona | Simone Molinaro, Paul O'Dette | F Major | 0 | 7B | 100 BPM | ||
La Guamina | Adriano Banchieri, Paul O'Dette, The King's Noyse, David Douglass | A Minor | 0 | 8A | 97 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
Fuga e due liuti | Vincenzo Galilei, Massimo Lonardi, Ugo Nastrucci | C Major | 1 | 8B | 87 BPM | ||
Wer nur den lieben Gott lässt walten, BWV 691 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Rondeau in B-Flat Major "Les Bergeries", BWV Anh. 183 (Formerly Attrib. Bach) | François Couperin, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM |
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