"А. Arensky, Ор. 40, No. 1, Cherubic Hymn" by St.Petersburg Chamber Choir, Nikolai Korniev was released on March 6, 2022. With this song being about 5 minutes long, at 5:12, "А. Arensky, Ор. 40, No. 1, Cherubic Hymn" by St.Petersburg Chamber Choir, Nikolai Korniev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 8 in Anton Arensky, Sacred compositions by St.Petersburg Chamber Choir, Nikolai Korniev. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. In terms of popularity, А. Arensky, Ор. 40, No. 1, Cherubic Hymn is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of А. Arensky, Ор. 40, No. 1, Cherubic Hymn by St.Petersburg Chamber Choir, Nikolai Korniev is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Chant Lithurgique De La Paix, Pt. 1 | Ensemble des chants et choeurs russes orthodoxes | A♭ Minor | 0 | 1A | 68 BPM | ||
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Sacred Origins | Ola Gjeilo, Choir of Merton College, Oxford, Benjamin Nicholas | C Major | 1 | 8B | 82 BPM | ||
Before Thy Cross | "The Orthodox Singers" Male Choir, Georgiy Smirnov | G Minor | 0 | 6A | 75 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM |
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