Handel, J Vyvyan, L Dutoit, E Thorborg, H Watts, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley's 'Saul, HWV53: 16. Chorus: Preserve him for the glory; Air: O Lord, whose mercies numberless' came out on February 19, 2013. The duration of Saul, HWV53: 16. Chorus: Preserve him for the glory; Air: O Lord, whose mercies numberless is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Saul, HWV53: 16. Chorus: Preserve him for the glory; Air: O Lord, whose mercies numberless's duration is considered a little bit shorter than the average duration of a typical track. The song is number 124 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Saul, HWV53: 16. Chorus: Preserve him for the glory; Air: O Lord, whose mercies numberless is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Saul, HWV53: 16. Chorus: Preserve him for the glory; Air: O Lord, whose mercies numberless by Handel, J Vyvyan, L Dutoit, E Thorborg, H Watts, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 90 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: I. Allegro molto | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | D Major | 3 | 10B | 123 BPM | ||
Water Music Suite #2 in D, Hwv 349 Alla Hornpipe | Adagio Quartet | D Major | 2 | 10B | 117 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM |
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