Pieter Hellendaal, Archetti Baroque String Ensemble, Carla Moore made "Grand Concerto in D Major, Op. 3, No. 5: IV. Allegro" available on January 13, 2015. The duration of Grand Concerto in D Major, Op. 3, No. 5: IV. Allegro is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Grand Concerto in D Major, Op. 3, No. 5: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Archetti Baroque String Ensemble, Carla Moore, John Dornenburg's "Handel & Hellendaal: Grand Concertos" album is number 4 out of 26. On top of that, United States appears to be the country where this track was created. Grand Concerto in D Major, Op. 3, No. 5: IV. Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Grand Concerto in D Major, Op. 3, No. 5: IV. Allegro by Pieter Hellendaal, Archetti Baroque String Ensemble, Carla Moore to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a più istrumenti in G Major, Op. 6 No. 5, III. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Major | 2 | 2B | 126 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 1. Vivace - Grave | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM | ||
Sonata in G Major: Sonata No. 1 in G Major, Op. 5: II. Allegro | Pieter Hellendaal, Jaap Ter Linden, Ton Koopman, Ageet Zweistra | F♯ Major | 1 | 2B | 154 BPM | ||
Sonata in D Major for Violin and Continuo, Book V No. 6: I. Allegro ma non troppo | Jacques Aubert, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Grand Concerto in D Major, Op. 3, No. 5: III. Larghetto | Pieter Hellendaal, Archetti Baroque String Ensemble, Carla Moore | D♭ Minor | 1 | 12A | 67 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VI. Harlequinade. Der schertzende Tritonus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM |
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