"Concerto grosso in B flat, Op. 3, No. 2: 1. Vivace - Grave" by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable had its release date on May 22, 2024. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Concerto grosso in B flat, Op. 3, No. 2: 1. Vivace - Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto grosso in B flat, Op. 3, No. 2: 1. Vivace - Grave is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in B flat, Op. 3, No. 2: 1. Vivace - Grave by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Andante | Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM | ||
Concerto grosso in G minor, Op.8, No.6 "Christmas Concerto" - Rev. Abbado: 2. Largo - Adagio | Giuseppe Torelli, Mariana Sirbu, Antonio Perez, I Musici | B Major | 7 | 1B | 100 BPM | ||
6 Solos: Sonata in C Major: III. Largo | Alessandro Besozzi, Brynjar Hoff, Kåre Nordstoga | G Major | 1 | 9B | 79 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): III. Allegro assai (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | G Major | 2 | 9B | 121 BPM | ||
Sonata a 4 in D Major, WoO 4: II. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: I. Allegro moderato | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | E Major | 1 | 12B | 119 BPM |